A broken man, in a blue shirt and contrasting jaundiced complexion, walks along the foreground wearing objects of contemporary portable status: a watch, fashionable sunglasses, and running shoes. His posture is reminiscent of the rigidity of ancient Egyptian murals. A woman distractedly contemplates the figure while in the process of a prosaic action. She stands before a large mural of the crucifixion and other historical events leading to the attacks on the World Trade Center. On the left is the graveyard from St. Paul’s church that extends the theological and historical progressions across the frame. The locked blue diamant bike establishes a chromatic correspondence with the man’s shirt and therefore with the man as he is locked into the hardness of the tragedy that his life has become.